Download Anything for a Hit: An A&R Woman's Story of Surviving the Music Industry, by Dorothy Carvello
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Anything for a Hit: An A&R Woman's Story of Surviving the Music Industry, by Dorothy Carvello
Download Anything for a Hit: An A&R Woman's Story of Surviving the Music Industry, by Dorothy Carvello
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Review
“Dorothy leaves out nothing from her past experiences. She was there and has told her story unfiltered.”—Diane Warren, songwriter“Carvello’s memoir is wild, sexy, bold, honest, and brave. If you don’t know about the music business it is illuminating; if you do, it is sure to be revelatory. It is an amazing testament to her experience as a woman in the complicated, fast-moving, abusive, and compelling world of business and rock ’n’ roll. An important read in today’s climate in the workplace.”—Maury Sterling, actor, Homeland“This book is hardcore. I wanted to put it down a thousand times but I just had to keep reading it. It is not only timely but necessary. Dorothy is a survivor and a success in spite of all the bullshit she faced as a woman in the music business. A sobering read.”—Snake Sabo, guitarist, Skid Row“Dorothy’s book lays out the music industry from a woman’s eyes. I applaud her courage and humor. It is a must-read for any woman thinking of entering the business.” —Don Ienner, former chairman, Sony Music"The music industry is long overdue for its #MeToo explosion, and this memoir seems ready to light the fuse… No matter how sleazy you might have heard the music industry is, this memoir suggests that it was worse." —Kirkus Reviews "Carvello is piercingly honest in this discouraging look into the music industry." —Publishers Weekly“It’s not news that sex and drugs went hand in hand with rock ‘n’ roll, but what this book reveals is how damaging the power dynamics of that party atmosphere could be even for a woman who was willing to play along.”—The New York Times Book Review"A jaw-dropping, compelling read." - Gillian Gaar on Record Collector News"Anything flips the excess script, reminding the reader of who has to deal with and clean up the mess that results when people indulge their worst impulses — and naming the people who got in Carvello’s path as she ascended through the biz’s ranks—make it a vital, if at times exceedingly uncomfortable read." --Vanity Fair
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About the Author
Dorothy Carvello began her career in 1987 as an assistant to Ahmet Ertegun, the legendary Atlantic Records founder, and went on to become the label’s first female A&R executive. She worked for many of the biggest names in music—Morris, Azoff, Galante, Buziak, and Ienner—at Atlantic, Giant, RCA, Relativity, and Columbia.
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Product details
Hardcover: 240 pages
Publisher: Chicago Review Press (September 4, 2018)
Language: English
ISBN-10: 0912777915
ISBN-13: 978-0912777917
Product Dimensions:
6 x 1 x 9 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
3.9 out of 5 stars
25 customer reviews
Amazon Best Sellers Rank:
#309,364 in Books (See Top 100 in Books)
First my disclaimer - I did promotion for Atlantic Records in the late 1970s. So I worked directly with some of these people and obviously knew of the people on top. The industry in the 70s & 80s was definitely fill with a lot of drugs, drinking and huge egos. Now that being said, the music industry back then was a multi billion $ one and I couldn't find anything on any page that implied that any top executive or company head did anything work wise. I sat in on enough private meetings, staff meetings and traveled with enough company people to know that what was written is in my strong opinion inaccurate. We partied but we sure worked also. Ms. Carvello makes everyone out to be a 100% drunk or a 100% drug addict. I won't further comment on the egos because I know that part to be true. The other part I had offense with was on multiple occasions Ms. Carvello strongly implied that no women could exist in the industry in an executive position. Again a very big inaccuracy!! I had the honor of working with Margo Knezs, Judy Libow and Andrea Ganis among others. All successful women execs in the industry. Believe me, there are much better books that give a true insight into the music industry. As far as Anything for A Hit goes, I read it out of curiosity and then filed it in the back of my closet as soon as I finished it.
Anything for a Hit reminded me a great deal of Brotopia, which deals with the rampant sexism in Silicon Valley today. It is a bluntly honest look at the big labels office culture from the 80's to 00's. It has stories on the big names from Skid Row to Mariah Carey. The best stories are with the executives no one ever heard of except in the Wall Street Journal.Carvello does not paint all men as bad. She points out a number who helped her along. She also pointed out the differences in power structures and cultures between labels. The main themes run true throughout which is the men looked out for each other, had petty squabbles, and behaved like frat boys with money more than executives in power. If this is a surprise to anyone, I wonder what world you live in.Anything for A Hit names names. It confirms some gossip of the time (much of which is forgotten) and points out the crimes we all knew were happening but couldn't prove. The chapter "Lucky Criminals" which tells how the labels screwed people out of royalties was as shocking as the rest of the book.I've been in the business for nearly 20 years in the media world. I talk to musicians and publicists not execs. This is a revealing book and long overdue. The music industry still doesn't get #metoo or understand that there are libraries of books to be written about the crude insanity we see everyday.
A very well written, interesting memoir of a woman whose professional ambition was prevented by the misogynistic music mogul who owned Atlantic Records, Ahmet Ertegun. His outrageous narcisstic behavior, sexual perversion and lack of regard for any morals, values or scruples makes for a roller coaster ride of a book. Her honesty about sexual harassment she endured and witnessed by those in the position of power is heartrending. MeToo movement, here comes the next round.
Riveting!!! Well karma came a knocking for the music industry. Even though it might’ve taken 25 years it has arrived with Dorothy Carvello’s final drop kick to the unapologetic groins of a deviant Boys club that took the low road to hell. Ms. Carvello teaches every person that ultimately you can repave a rotten and broken road with The resilience and Unabashed truths from a thriving spirit of goodness. Unarmed in the trenches of such debauchery and deceit only to find fools gold Ms. Carvello found something worth so much more, a wonder woman in herself. This book should be given to everybody in the industry, thinking about the industry, and any hope of entering into this industry.
This book is a great read and is wildly funny. I really enjoyed the author’s sense of humor and her storytelling ability. Lots of great anecdotes about the characters in the music industry. The book is written from the perspective of an ambitious assistant who saw (and experienced) everything in the music industry in the 80’s and early 90’s.
This book is full of great stories but it is poorly written. Unfortunately the storyline is all over the place and I wasn't sure where it was going other than pointing in chapter after chapter that the industry is full of misogynistic men who are scumbags. I would have enjoyed more stories about her dealings with the bands she signed and the interactions with them and the music industry. Ms Carvello touches on her family and her mother and father but she doesn't reveal much more than a thin introduction and a few paragraphs on their influences on her. I think these pieces would have given "Anything for a Hit" much more depth.
I don't know if there is a more glowing review than to say I read this cover to cover in less than 24 hours. I've read several music industry bios but this was a perspective like no other. Dorothy provides insight into the unsavoury thing that went on. Yes other books cover the drugs, the sex; but this tells us what it was like as women who had chosen to work in this industry. A lot of things that the men in power would either not remember, or not want to share. I don't want to give anything away - but if you ever dreamed of working in A&R, or music; if you are a woman working in a man's field; if you have any doubts about #metoo; if you want to read things that are almost impossible to believe; this book is for you. Thank you Dorothy for being so bold as to share.
Not since Fred Dannon's Hitmen has anyone written something this clear eyed about the music business. The author's journey through the business, in which see appears to have met everyone of interest, is honest and intelligent and amazingly well written. Her profiles of people like Ertegun, Mottola, Morris and the rest are scorching.
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